When we want to know where nodes and antinodes lie within the tube of the instrument, we use the method of the 'ideal register hole'. Such holes can, for different notes, in practice easily establish the position of the nodes.
An ideal register hole is a normal tone hole that is used as a register hole. Unlike the regular very small register holes – which can serve quite a range of notes – such large holes work correctly for only one or two notes, for which notes the hole is (almost) in the correct spot. In this way such holes determine the position of the wave within the tube. When a match is strikingly good, an exclamation mark is added. To establish the acoustical length of the upper register hole we need to remove the pip. Only in this way the hole acts more or less as a normal tone hole.
The table gives written pitch.
A | Bb | B | C | C# | D | D# | E | F | F# | upper register hole with pip removed |
|
---|---|---|---|---|---|---|---|---|---|---|---|
soprano | |||||||||||
A. Sax sr. 19575 | 14 | 15! | 17! | 19 | 19/20 | ||||||
Conn Chu Berry | 12 | 13 | 16 | 16 | 19 | 20 | 21/22 | 22 | |||
Buescher Truetone (curved) | 12 | 13 | 16 | 19 | 19 | 20 | 22 | ||||
Buffet Crampon S1 | 12 | 13 | 16/17 | 19/20 | 21 | 22/25 | 25 | C2/C#2 | |||
alto | |||||||||||
A. Sax sr. 24495 | 12/14 | 14/15 | 15 | 17 | 19 | 20 | 21 | 22 | Buescher Truetone | 13 | 14 | 16 | 17 | 19 | 20! | 22 |
A. Sax jr. | 12 | 14 | 17 | 19 | 20 | 21/22 | C2/C#2 | ||||
the Martin | 12 | 14 | 17! | 19 | 20! | 21 | C | ||||
YAS 25 | 13/14 | 16 | 17 | 29 | 20 | 22! | (25) | ||||
tenor | |||||||||||
A. Sax sr. 15676 | 15 | 17 | 19 | 20 | 21 | 22 | |||||
Conn 10M | 13/14 | 16 | 17 | 19 | 20 | 21 | 22 | ||||
Selmer mark6 | 12/13 | 13/14 | 16 | 17 | 19 | 20! | 21! | 22 | Keilwerth SX90-R | 13 | 14 | 16 | 17 | 19 | 20 | 21 | 22! | 25 |
Yanagisawa 901 | 13/14 | 17 | 19 | 20! | 21 | 22! | 25 | ||||
baritone | |||||||||||
A. Sax sr. 22500 | 15 | 17 | 19 | 20 | |||||||
Buescher Aristocrat | 13/14 | 16 | 19 | 20/21 | 22 | ||||||
The Martin Magna | 12 | 13/14 | 17 | 16! | ±19 | 20 | 22 | ||||
Selmer M6 | 12 | 13 | 16 | 19 | 20 | 21 | 22 | ||||
Weltklang | 12 | 13! | 16 | 19 | 20 | 21! | 22 | C2/C#2 | |||